BS EN 15744-2009 影片识别.电影作品用最小元数据集.pdf
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1、- - - - W - - - - - - 77- - 7- - $ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - W W D - w - - - - - - EN 15744:2009 (E) 2 Contents Page Foreword 3 Introduction .4 1Scope 5 2Normative references 5 3Terms and definitions .5 4Minimum Set of Data Elements required for Interoperabili
2、ty 6 4.1Principles 6 4.2Presentation Format of Data Element Definitions 6 4.3Data Elements 7 4.3.1Data Element 1 .7 4.3.2Data Element 2 .7 4.3.3Data Element 3 .7 4.3.4Data Element 4 .8 4.3.5Data Element 5 .8 4.3.6Data Element 6 .9 4.3.7Data Element 7 .9 4.3.8Data Element 8 .9 4.3.9Data Element 9 .9
3、4.3.10Data Element 10 10 4.3.11Data Element 11 10 4.3.12Data Element 12 10 4.3.13Data Element 13 10 4.3.14Data Element 14 11 4.3.15Data element 15. 11 Bibliography . 12 - - EN 15744:2009 (E) 3 Foreword This document (EN 15744:2009) has been prepared by CEN/TC 372 “Cinematographic Works”, the secreta
4、riat of which is held by DIN. This European Standard shall be given the status of a national standard, either by publication of an identical text or by endorsement, at the latest by September 2009, and conflicting national standards shall be withdrawn at the latest by September 2009. Attention is dr
5、awn to the possibility that some of the elements of this document may be the subject of patent rights. CEN and/or CENELEC shall not be held responsible for identifying any or all such patent rights. In recent years, there has been a proliferation of new metadata standards intended to provide greater
6、 control, consistency and accuracy of the data in the ever-expanding environment of the World Wide Web, through, for example, links to shared named authority files. In developing a new standard this is one of the main issues to which CEN/TC 372 “Cinematographic Works” has needed to address. It is al
7、so the case that the data that exists in many cultural organisations across Europe has been compiled over many years and in some cases predates the advent of computer databases. To help reconcile some of the data inconsistencies that will inevitably exist in such a volume of data from so many dispar
8、ate sources, the standard seeks to provide a bridge between the data that exists and the emerging technologies chosen to represent this data. The principle of EN 15744 is to enable the clearest possible enunciation of data that is available to assist with the task of resource identification. The aim
9、 of prEN 15907 is to provide a framework for improved interoperability of that data by providing a common definition for that data. CEN/TC 372 “Cinematographic Works“ was set up to develop the European standards mandated by the European Commission. The Task Force decided to fulfil the tasks listed i
10、n the mandate M/365 by developing two projects: EN 15744 “Film Identification Minimum set of metadata for cinematographic works“; which contains a minimum set of 15 data elements considered necessary for the identification of cinematographic works. In addition, it contains a unified terminology requ
11、ired for the clear understanding of the standard. prEN 15907 “Film Identification Enhancing interoperability of metadata Element sets and structures”, which provides a comprehensive standard for the representation and exchange of metadata for cinematographic works, as well as a comprehensive and con
12、sistent terminology. According to the CEN/CENELEC Internal Regulations, the national standards organizations of the following countries are bound to implement this European Standard: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Icel
13、and, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Switzerland and the United Kingdom. - - EN 15744:2009 (E) 4 Introduction Cinematographic works are an essential component of European cultural heritage. Film
14、history and culture is recognized as an integral part of everything from tourism to documentary evidence and is known to have a significant impact on culture and education worldwide. This has been emphasized by the European Parliament and Council Recommendation of 16 November 2005 on film heritage a
15、nd the competitiveness of related industrial activities. Film archives, film museums, cinematheques and other cultural organisations have the responsibility to both preserve and make accessible film heritage. This responsibility includes acquisition of culturally important works; preservation throug
16、h good storage and duplication to modern stable formats; curatorial research and interpretation; and programming and exhibition. Key to all of these activities is the responsibility of creating and maintaining databases containing information about the films. Without such documentation, preservation
17、 and access activities are not possible. At present, there is great variation in how filmographic databases are organized and implemented. Experts of all European countries have recognized that this variance stands in the way of interoperability and commonality of data. The European Commission charg
18、ed CEN with a mandate on 14 March 2005 to create a metadata standard for cinematographic works. In response to this mandate, this standard undertakes to define the metadata essential for data migration between databases and consistent identification of films. The primary users of this European stand
19、ard will be film archives, film museums, cinematheques and any other cultural organisations with filmographic databases. They will also be the primary beneficiaries of the implementation of this European standard throughout Europe, as it will facilitate their access to filmographic metadata on works
20、 held by other organisations. Researchers, universities, students and the general public will also benefit in that it will be easier to integrate the information contained in the databases into larger information systems if it is organised according to this European standard. The standard will also
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