BS-7876-1996.pdf
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1、| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | BRITISH STANDARD BS 7876 : 1996 ICS 37.100
2、.99 NO COPYING WITHOUT BSI PERMISSION EXCEPT AS PERMITTED BY COPYRIGHT LAW Classification of prints Licensed Copy: London South Bank University, London South Bank University, Fri Dec 08 09:59:02 GMT+00:00 2006, Uncontrolled Copy, (c) BSI This British Standard, having been prepared under the directio
3、n of the Sector Board for Materials and Chemicals, was published under the authority of the Standards Board and comes into effect on 15 December 1996 BSI 1996 The following BSI references relate to the work on this standard: Committee reference PAI/45 Draft for comment 96/121312 DC ISBN 0 580 26453
4、X BS 7876 : 1996 Amendments issued since publication Amd. No.DateText affected Committees responsible for this British Standard The preparation of this British Standard was entrusted to Technical Committee PAI/45, Prints, upon which the following bodies were represented: British Printing Industries
5、Federation Fine Art Trade Guild International Fine Print Dealers Association Paper Federation of Great Britain Printmakers Council Royal Academy of Arts Royal Society of Painter-Printmakers Licensed Copy: London South Bank University, London South Bank University, Fri Dec 08 09:59:02 GMT+00:00 2006,
6、 Uncontrolled Copy, (c) BSI BS 7876 : 1996 BSI 1996i Contents Page Committees responsibleInside front cover Forewordii 1Scope1 2Definitions1 3Classification of prints1 Annex A(informative) Additional information3 Licensed Copy: London South Bank University, London South Bank University, Fri Dec 08 0
7、9:59:02 GMT+00:00 2006, Uncontrolled Copy, (c) BSI ii BSI 1996 BS 7876 : 1996 Foreword This British Standard has been prepared by Technical Committee PAI/45. Grateful acknowledgement is made to the International Fine Print Dealers Association on whose classification the categories defined in this Br
8、itish Standard is largely based. Compliance with a British Standard does not of itself confer immunity from legal obligations. Licensed Copy: London South Bank University, London South Bank University, Fri Dec 08 09:59:02 GMT+00:00 2006, Uncontrolled Copy, (c) BSI BSI 19961 BS 7876 : 1996 1 Scope Th
9、is British Standard establishes a system of categories for all print production and distinguishes prints according to the extent to which the artist named as inventor was actually involved in making the print. The Standard provides a means of describing prints without the use of such terms as origin
10、al prints, or fine art prints. Through the years, these imprecise concepts have been frequently misunderstood. This standard allows non-judgemental distinction to be made between those prints in which the artist was involved in all the creative processes, and those where a pre-existing image was mul
11、tiplied with or without the artists participation. The system of categories should remain valid for whatever hybrid and unusual kind of prints may be produced by the most unorthodox artists using the latest technologies. For example, group A implies a total and singular involvement on the part of th
12、e artist; at the other end of the scale group F implies no involvement at all, either practical or sympathetic. NOTE. In the case of prints made prior to the nineteenth century, different attitudes existed towards the artist as inventor of the image and the collaborator(s) making the printing matrix
13、. 2 Definitions For the purposes of this British Standard the following definitions apply. 2.1 print The impression of an image made by any method involving transfer from one surface to another. 2.2 printmaking The overall process of producing a print. 2.3 edition All the impressions made of an imag
14、e after it has been approved by the artist. NOTE. The edition may or may not be limited in number of impressions (see 4.2). 2.4 design Creative input and intention of the artist. NOTE. This may take the form of 1) an initial idea or concept; 2) oral or written instructions given to another person ca
15、rrying out the work; 3) the physical realization of the idea in another medium, preparatory to its translation into one of the printmaking media. A work made by an artist who is now deceased, who did not have a print in mind, cannot be held to be that artists design for a print. 2.5 artist The origi
16、nator of an image, regardless of how the translation onto paper or other support material occurs. 2.6 matrix (plural matrices) The material on which the image to be printed is prepared e.g. traditionally wood, stone, metal, the mesh of a screen. NOTE. Matrices can also be originated electronically.
17、Several matrices are normally involved in making a colour print. 2.7 category The class into which the print falls (see clause 3). 2.8 collaborator(s) Any person(s) assisting the artist with expertise in making the matrix or printing from it. 2.9 method The procedure used to produce the matrix and e
18、dition the print. 2.10 reproduction A copy of a work of art made by means of engraving, photography, or a similar process. 2.11 facsimile A copy attempting exactly to replicate a pre-existing image. 3 Classification of prints 3.1 General A print is not necessarily better because it falls into one ca
19、tegory rather than another. Some artists have deliberately used certain procedures because they have been attracted to the visual effects possible, or the conceptual meanings implied. Where it is difficult to be sure about a particular category or classification, considered may be added as a prefix.
20、 This British Standard requires the use of the words reproduction (2.10) or facsimile (2.11) whenever they are appropriate. Artists prints should be referred to by the actual process used in their making, such as aquatint, woodcut, etc. 3.2 Categories of prints 3.2.1 Category A A denotes that the ar
21、tist alone created the matrix and made impressions from it. The inclusion of a print in this category implies the artists total and singular involvement. 3.2.2 Category B B denotes that the artist alone has made the matrix and a collaborator, or collaborators, made the impression from it. Licensed C
22、opy: London South Bank University, London South Bank University, Fri Dec 08 09:59:02 GMT+00:00 2006, Uncontrolled Copy, (c) BSI 2 BSI 1996 BS 7876 : 1996 3.2.3 Category C C denotes that the artist made the matrix with the help of a collaborator and that a collaborator or collaborators made impressio
23、ns from it. 3.2.4 Category D D denotes that the artist neither prepared the matrix nor pulled the impressions. The physical labour was done by collaborators, but all activities were carried out with the artists supervision and permission. 3.2.5 Category E E denotes that the artist or the artists age
24、nt has authorized the making of a print from a pre-existing image, but has had no further involvement with it. 3.2.6 Category F F denotes that the print has been made without the permission of the artist or the artists agent. Inclusion in this category implies no involvement on the part of the artis
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