Inventing Popular Culture【斯托雷】发明大众文化.pdf
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1、Inventing Popular Culture IPCA0126/5/06, 10:49 AM1 Blackwell Manifestos In this new series major critics make timely interventions to address important concepts and subjects, including topics as diverse as, for example: Culture, Race, Religion, History, Society, Geography, Literature, Literary Theor
2、y, Shakespeare, Cinema, and Modernism. Written accessibly and with verve and spirit, these books follow no uniform prescription but set out to engage and challenge the broadest range of readers, from undergraduates to postgraduates, university teachers and general readers all those, in short, intere
3、sted in ongoing debates and controversies in the humanities and social sciences. Already Published The Idea of Culture Terry Eagleton The Future of Christianity Alister E. McGrath Reading After Theory Valentine Cunningham 21st-Century Modernism Marjorie Perloff The Future of Theory Jean-Michel Rabat
4、 Inventing Popular Culture John Storey Forthcoming The Idea of Latin America Walter Mignolo The Future of Society William Outhwaite The Death of Race David Goldberg Biography: The Facts Hermione Lee The Idea of Black Culture Hortense Spillers The Idea of Shakespeare Bruce Smith IPCA0126/5/06, 10:49
5、AM2 Inventing Popular Culture From Folklore to Globalization John Storey IPCA0126/5/06, 10:49 AM3 2003 by John Storey 350 Main Street, Malden, MA 02148-5018, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton South, Melbourne, Victoria 3053, Australia Kurfrstendamm 57, 10707 Berlin
6、, Germany The right of John Storey to be identifi ed as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by an
7、y means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2003 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Storey, Jo
8、hn, 1950 Inventing popular culture : from folklore to globalization / John Storey. p. cm. (Blackwell manifestos) Includes bibliographical references and index. ISBN 0631-23459-4 (hardcover : alk. paper) ISBN 0-631-23460-8 (pbk. : alk. paper) 1. Popular culture.2. Popular culturePhilosophy.3. Culture
9、Philosophy.I. Title.II. Series. CB19.S7455 2003 306dc212002156371 A catalogue record for this title is available from the British Library. Set in 11.5/13.5 pt Bembo by Graphicraft Limited, Hong Kong Printed and bound in the United Kingdom by TJ International, Padstow, Cornwall For further informatio
10、n on Blackwell Publishing, visit our website: http:/ IPCA0126/5/06, 10:49 AM4 For Jenny and Katie IPCA0126/5/06, 10:49 AM5 Allie IPCA0126/5/06, 10:49 AM6 Contents Prefaceix Acknowledgmentsxiii 1 Popular Culture as Folk Culture1 Nature and Nationalism2 Pastoral Life as Primitive Culture6 Music Hall a
11、nd the Masses10 Imagining the Past to Make the Present13 2 Popular Culture as Mass Culture16 Culture Against Anarchy16 The Culture of Hyperdemocracy24 The Marxist Masses27 Ways of Seeing Other People as Masses30 3 Popular Culture as the “Other” of High Culture32 The Making of High Culture32 The Mode
12、rnist Revolution41 The Politics of Cultural Exclusion43 Culture and Class45 4 Popular Culture as an Arena of Hegemony48 Hegemony: From Marxism to Cultural Studies48 Wandering from the Path of Righteousness53 IPCA0126/5/06, 10:49 AM7 Side Saddle on the Golden Calf56 An Inclusive Cultural Studies61 5
13、Popular Culture as Postmodern Culture63 The New Sensibility63 Weird Scenes Inside the Goldmine: The Postmodern Condition64 Postmodern Hyperconsciousness70 Back to the Future: Opera Postmodern?74 6 Popular Culture as the “Roots” and “Routes” of Cultural Identities78 Postmodern Identities79 The Roots
14、of Cultural Identities81 The Routes of Cultural Identities86 Mixing Memory and Desire: Dusty Springfi eld and “The Land of Love”89 Coda: Performing Identities91 7 Popular Culture as Popular or Mass Art92 Cultural Power92 When Gravity Fails: An Aesthetics of Popular Culture?95 Beyond Aesthetic Essent
15、ialism104 8 Popular Culture as Global Culture107 Globalization107 Trading Commodities for Culture in the American Global Village109 The “Local” as the New Folk Culture116 Notes121 References130 Index140 Contents viii IPCA0126/5/06, 10:49 AM8 Preface Inventing Popular Culture is written from the crit
16、ical perspective of cultural studies. Cultural studies works with an inclusive defi nition of culture. That is, it is a “democratic” project in the sense that rather than studying only what Matthew Arnold called “the best which has been thought and said” (1960: 6), cultural studies is committed, in
17、principle, to examining all that has been thought and said. In very broad terms, culture is how we live nature (including our own biology). To say that culture is how we live nature will sound to many people like a hopelessly inclusive way to conceptualize culture. But the world is full of seemingly
18、 hopelessly inclusive concepts. Think of the concept of history defi ned as the study of the past. Hopelessly inclusive? What historians do in practice is recognize the concept at its level of generality, but then limit their investigation to the level of the particular. Similarly, to have a degree
19、in English literature, for example, does not mean that someone has studied all of the ever-changing object of study which counts as English literature. But English literature still continues to exist as an object of study. In the same way, then, to study culture (defi ned as how we live nature) is n
20、ot to embark on an examination of all the changing ways we live (and have lived) nature but to focus on particular ways. In this it is no different from most forms of analysis which work from the general to the particular (and then sometimes back to the general). Culture is an active process. It doe
21、s not lie dormant in things (that is, any commodity, object, or event that can be made to IPCA0126/5/06, 10:49 AM9 signify), waiting patiently to be woken by an appropriate consumer. It is the practice of making and communicating meanings. Culture is not in the object but in the experience of the ob
22、ject: how we make it meaningful, what we do with it, how we value it, etc. “Culture is ordinary” (Williams 1958a): it is how we make sense of ourselves and the world around us; it is the practice through which we share and contest meanings of ourselves, of each other, and of the world. Watching a so
23、ap opera and talking about what the characters are doing; arguing about who should have won a football match; remembering together the songs of a shared youth; debating the claims of politicians and big business; protesting at the injustices and economic inequalities of globalization. In these, and
24、in many other ways, we make and share meanings. To modify and paraphrase Karl Marx (1977), we make meanings and we are made by meanings. To share a culture is to interpret the world to make it meaningful in recognizably similar ways. To see culture, however, as the practices and processes of making
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