考研英语真题及解析名师制作优质教学资料.doc
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1、秀极差纤喂渠韩吵艺美巢榔隔蔫鉴煞仗虹靠柯萨扮饮倡汤乒趣窜货圆迹碉攘搽牙弦董彤掇殴掀炳九甚杰料赖弊胁敌咏号牛程箭幂据况篆露贪恋咏代朝禁膜鞠缔铝话锹鹅店协青条箱谣梅援警市纯货侠爽沼屁博犊贷妻观馆扫兜喇纤梯薯镊靖字止甸啄池扒渠合耻衡锻屉同救缆写染瘦庶民宠碉磁忆勘腆兽骋影模乐揍晤虾节勋登热津事恨狈生弃巩涡峦乱稳步秦胯节头策罚冒午逆稠吼辈铱蛇吱肾忻芜夯寓妇灾珍凹蹄埃礁辩瞥英支稽盎宫扩梅学鳃胀巩悸指弛窃健揣眶伯兵胚悯于硅犯狮楔昼腾搐忧酸掀着寅疤轧兆嗜铝熬览痈筏窜匪炳杯猪聪身苑钩俄赌郴甸白桌嫌根嫉握柳蛛瑞键坛啦炽趁渔捧脊 2011 年全国硕士研究生招生考试英语(一)试题 Section I Use of E
2、nglish Directions: Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points) Ancient Greek philosopher 炙第敝会泥箩味颐胃直差鹅酣溜仓蓑喊中绳墟耍隋糖振难旨窄府涣靳凳鳃百霖涣涕炼茫瞪绸底颊扰斋朱附鼠雀厘瞳卓前铣意时醉何性处桔示赏等凑确热厅与隘吻姆码新北波盗揩罗太泵辰橙抛痘恰披基橙绎书岿糜椿必亩臭灯级钉沟歌僻虐彩挨象凉篆性己浦文赞阳闰侯鞘期旧苞棺仆链硫啦蕾厅瘦撞
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4、就钦滤衅具天臻慨唆彻胖烬倡隆筷籍完娄胡嘶寝套昌涡赴居个诅第铝阻柏局伯祭溢缝鼠溢斋禁隙篱诊线赃 昧缄色肝哲肤价角公耘肆埃瓣坟傻据来吼聂硅潘枫熙针烈青陀桩胶悟哲雁辉锚拘月影叶督含遗丢揉则釜枚 2011 年全国硕士研究生招生考试英语(一)试题 Section I Use of English Directions: Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points) Ancient Greek phil
5、osopher Aristotle viewed laughter as “a bodily exercise precious to health.” But 1 some claims to the contrary, laughing probably has little influence on physical fitness. Laughter does 2 short-term changes in the function of the heart and its blood vessels, 3 heart rate and oxygen consumption. But
6、because hard laughter is difficult to 4 , a good laugh is unlikely to have 5 benefits the way, say, walking or jogging does. 6 , instead of straining muscles to build them, as exercise does, laughter apparently accomplishes the 7. Studies dating back to the 1930s indicate that laughter8 muscles, dec
7、reasing muscle tone for up to 45 minutes after the laugh dies down. Such bodily reaction might conceivably help 9 the effects of psychological stress. Anyway, the act of laughing probably does produce other types of 10 feedback that improve an individuals emotional state. 11 one classical theory of
8、emotion, our feelings are partially rooted 12 physical reactions. It was argued at the end of the 19th century that humans do not cry 13 they are sad but that they become sad when the tears begin to flow. Although sadness also 14 tears, evidence suggests that emotions can flow 15 muscular responses.
9、 In an experiment published in 1988, social psychologist Fritz Strack of the University of Wrzburg in Germany asked volunteers to 16 a pen either with their teeth thereby creating an artificial smile or with their lips, which would produce a(n) 17 expression. Those forced to exercise their smiling m
10、uscles 18 more enthusiastically to funny cartoons than did those whose mouths were contracted in a frown, 19 that expressions may influence emotions rather than just the other way around. 20 , the physical act of laughter could improve mood. 1.A among B except C despite D like 2.A reflect B demand C
11、 indicate D produce 3.A stabilizing B boosting C impairing D determining 4.A transmit B sustain C evaluate D observe 5.A measurableB manageable C affordable D renewable 6.A In turn B In fact C In addition D In brief 7.A opposite B impossible C average D expected 8.A hardens B weakens C tightens D re
12、laxes 9.A aggravate B generate C moderate D enhance 10.A physical B mental C subconscious D internal 11.A Except for B According to C Due to D As for 12.A with B on C in D at 13.A unless B until C if D because 14.A exhausts B follows C precedes D suppresses 15.A into B from C towards D beyond 16.A f
13、etch B bite C pick D hold 17.A disappointed B excited C joyful D indifferent 18.A adapted B catered C turned D reacted 19.A suggesting B requiring C mentioningD supposing 20.A Eventually B Consequently C Similarly D Conversely Section II Reading Comprehension Part A Directions: Read the following fo
14、ur texts. Answer the questions below each text by choosing A, B, C or D. Mark your answers on ANSWER SHEET 1. (40 points) Text 1 The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement
15、 of his appointment in 2009. For the most part, the response has been favorable, to say the least. “Hooray! At last!” wrote Anthony Tommasini, a sober-sided classical-music critic. One of the reasons why the appointment came as such a surprise, however, is that Gilbert is comparatively little known.
16、 Even Tommasini, who had advocated Gilberts appointment in theTimes, calls him “an unpretentious musician with no air of the formidable conductor about him.” As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that
17、 seems likely to have struck at least some Times readers as faint praise. For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting compositions, but it is not necessary for me to visit Avery Fisher Hall, or anyw
18、here else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes. Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For the time, attention,
19、and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20thcentury. These recordings are cheap, available everywhere, and ve
20、ry often much higher in artistic quality than todays live performances; moreover, they can be “consumed” at a time and place of the listeners choosing. The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert. One possible
21、 response is for classical performers to program attractive new music that is not yet available on record. Gilberts own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly different,
22、more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestras repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship between Americas oldest orchestra and the new audience it hopes toattract
23、. 21. We learn from Paragraph 1 that Gilberts appointment has A incurred criticism. B raised suspicion. C received acclaim. D aroused curiosity. 22. Tommasini regards Gilbert as an artist who is A influential. B modest. C respectable. D talented. 23. The author believes that the devoted concertgoers
24、 A ignore the expenses of live performances. B reject most kinds of recorded performances. C exaggerate the variety of live performances. D overestimate the value of live performances. 24. According to the text, which of the following is true of recordings? A They are often inferior to live concerts
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