试论DV的影像的审美诉求论文13810.doc
密级: NANCHANG UNIVERSITY 学 士 学 位 论 文 THESIS OF BACHELOR(20 20 年)题 目 试论DV影像的审美诉求 目 录摘 要·····················································1ABSTRACT···················································1一、 绪 论·················································2影视艺术的本质·········································3二、DV的艺术生活化·········································4三、导论DV影视艺术之美··································5三、审美的生活化··········································6 美在生活···············································7结论······················································8注释······················································9参考文献··················································10致 谢····················································11试论DV的影像的审美诉求 摘 要DV从一种技术手段开始对艺术创作主体起了深远的影响,进而对艺术内容的生活化起了催化作用,如果说技术带来的艺术的生活化是一种外在的手段,那么审美情趣的生活化则是艺术生活化的本源。美来源于人的本质力量的对象化,“对象性的现实在社会中对人说来到处成为人的本质力量的现实,成为人的现实,因而成为人自己的本质力量的现实”. 因此受众在艺术批评和欣赏中,有一个“期待视野”, 他们期待艺术对生活的亲近,真实成为中外视觉艺术作品接收和欣赏的衡量标准。关键词: DV 影像 审美诉求The theory of aesthetic appeal DV video AbstractFrom a technical means DV art creation subject to start up a far-reaching influence on art, and the content of the catalysis, the life of the art technology if life is a kind of external technique, then life aesthetics is the source of artistic adaptation. Beauty comes from people's essential strength target, "the objective reality of people in society as the essence of human beings everywhere, become the reality of reality, thus become the essential force themselves". So the audience in artistic criticism and appreciation, there is a "vision", they expect to live close to the art of visual art, real or receiving and appreciation of works of criteria.Keywords: DV aesthetic appeal5