美国法学院入学考试LSAT阅读真题7(含答案).doc
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1、美国法学院入学考试LSAT阅读真题7(含答案)SECTION ITime 35 minutes 26 QuestionsDirections: Each passage in this section is followed by a group of questions to be answered on the basis of what is stated or implied in the passage. For some of the questions, more than one of the choices could conceivably answer the quest
2、ion. However, you are to choose the best answer, that is, the response that most accurately and completely answers the question, and blacken the corresponding space on your answer sheet.Painter Frida Kahlo (1910-1954) often used harrowing images derived from her Mexican heritage to express suffering
3、 caused by a disabling accident and a stormy marriage. Suggesting much personal and emotional content, her worksmany of them self-portraitshave been exhaustively psychoanalyzed, while their political content has been less studied. Yet Kahlo was an ardent political activist who in her art sought not
4、only to explore her own roots, but also to champion Mexicos struggle for an independent political and cultural identity.Kahlo was influenced by Marxism, which appealed to many intellectuals in the 1920s and 1930s, and by Mexican nationalism. Interest in Mexicos culture and history had revived in the
5、 nineteenth century, and by the early 1900s, Mexican indigenista tendencies ranged from a violently anti-Spanish idealization of Aztec Mexico to an emphasis on contemporary Mexican Indians as the key to authentic Mexican culture. Mexican nationalism, reacting against contemporary United States polit
6、ical intervention in labor disputes as well as against past domination by Spain, identified the Aztecs as the last independent rulers of an indigenous political unit. Kahlos form of Mexicanidad, a romantic nationalism that focused upon traditional art uniting all indigenistas, revered the Aztecs as
7、a powerful pre-Columbian society that had united a large area of the Middle Americas and that was thought to have been based on communal labor, the Marxist ideal.In her paintings, Kahlo repeatedly employed Aztec symbols, such as skeletons or bleeding hearts that were traditionally related to the ema
8、nation of life from death and light from darkness. These images of destruction coupled with creation speak not only to Kahlos personal battle for life, but also to the Mexican struggle to emerge as a nationby implication, to emerge with the political and cultural strength admired in the Aztec civili
9、zation. Self-portrait on the Border between Mexico and the United States (1932), for example, shows Kahlo wearing a bone necklace, holding a Mexican flag, and standing between a highly industrialized United States and an agricultural, preindustrial Mexico. On the United States side are mechanistic a
10、nd modern images such as smokestacks, light bulbs, and robots. In contrast, the organic and ancient symbols on the Mexican sidea blood-drenched Sun, lush vegetation, an Aztec sculpture, a pre-Columbian temple, and a skull alluding to those that lined the walls of Aztec templesemphasize the interrela
11、tion of life, death, the earth, and the cosmos.Kahlo portrayed Aztec images in the folkloric style of traditional Mexican paintings, thereby heightening the clash between modern materialism and indigenous tradition; similarly, she favored planned economic development, but not at the expense of cultu
12、ral identity. Her use of familiar symbols in a readily accessible style also served her goal of being popularly understood; in turn, Kahlo is viewed by some Mexicans as a mythic figure representative of nationalism itself.1. Which one of the following best expresses the main point of the passage?(A)
13、 The doctrines of Marxist ideology and Mexican nationalism heavily influenced Mexican painters of Kahlos generation.(B) Kahlos paintings contain numerous references to the Aztecs as an indigenous Mexican people predating European influence.(C) An important element of Kahlos work is conveyed by symbo
14、ls that reflect her advocacy of indigenous Mexican culture and Mexican political autonomy.(D) The use of Aztec images and symbols in Kahlos art can be traced to the late nineteenth-century revival of interest in Mexican history and culture.(E) Kahlo used Aztec imagery in her paintings primarily in o
15、rder to foster contemporary appreciation for the authentic art of traditional Mexican culture.2. With which one of the following statements concerning psychoanalytic and political interpretations of Kahlos work would the author be most likely to agree?(A) The psychoanalytic interpretations of Kahlos
16、 work tend to challenge the political interpretations.(B) Political and psychoanalytic interpretations are complementary approaches to Kahlos work.(C) Recent political interpretations of Kahlos work are causing psychoanalytic critics to revise their own interpretations.(D) Unlike the political inter
17、pretations, the psychoanalytic interpretations make use of biographical facts of Kahlos life.(E) Kahlos mythic status among the audience Kahlo most wanted to reach is based upon the psychoanalytic rather than the political content of her work.3. Which one of the following stances toward the United S
18、tates does the passage mention as characterizing Mexican nationalists in the early twentieth century?(A) opposition to United States involvement in internal Mexican affairs(B) desire to decrease emigration of the Mexican labor force to the United States(C) desire to improve Mexicos economic competit
19、iveness with the United States(D) reluctance to imitate the United States model of rapid industrialization(E) advocacy of a government based upon that of the Marxist Soviet Union rather than that of the United States4. In the context of the passage, which one of the following phrases could best be s
20、ubstituted for the word “romantic” (line 24) without substantially changing the authors meaning?(A) dreamy and escapist(B) nostalgic and idealistic(C) fanciful and imaginative(D) transcendental and impractical(E) overwrought and sentimental5. The passage mentions each of the following as an Aztec sy
21、mbol or image found in Kahlos paintings EXCEPT a(A) skeleton(B) sculpture(C) serpent(D) skull(E) bleeding heart6. Which one of the following best describes the organization of the third paragraph?(A) contrast of opposing ideas(B) reconciliation of conflicting concepts(C) interrelation of complementa
22、ry themes(D) explication of a principles implications(E) support for a generalization by means of an example7. The passage implies that Kahlos attitude toward the economic development of Mexico was(A) enthusiastic(B) condemnatory(C) cautious(D) noncommittal(E) uncertain8. The main purpose of the pas
23、sage is to(A) critique an artists style(B) evaluate opposing theories(C) reconcile conflicting arguments(D) advocate an additional interpretation(E) reconsider an artist in light of new discoveries参考答案:1-8 CBABCECDIn recent years, a growing belief that the way society decides what to treat as true i
24、s controlled through largely unrecognized discursive practices has led legal reformers to examine the complex interconnections between narrative and law. In many legal systems, legal judgments are based on competing stories about events. Without having witnessed these events, judges and juries must
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